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Category Archives: Contemplations
Implicit Multiform References
Implicit multiform references (MFRs) generate shifts of attention through semantic relatedness between the MFA’s verbal and visual components and their visual features without announcing their operation. For example, the presence of both the word “cat” and an image of a … Continue reading
Posted in Contemplations, Dissertation, My Art
What Makes Visual Evidence “Evidence”?
Alfa Romeo 4C Spider In April’s post, I asked if – within the industry of creating and communicating historical knowledge – there is any epistemological significance to visual evidence that was photographed by the historian who writes about it. I … Continue reading
Posted in Contemplations
Historians Photograph their Visual Evidence
The visual material in illustrated historiography usually results from a chain of practices, most noticeable are the artistic creation, the photographing of the artwork, and the printing of that photograph in the book. This chain of practices is the industry … Continue reading
Posted in Contemplations, Dissertation
Renaissance Society of America – New Orleans, March 22-24, 2018
At the RSA 2018, I commented on three papers that art historians Dr. Jorge Sebastián Lozano, Dr. Víctor Mínguez Cornelles and Dr. Inmaculada Rodríguez Moya presented in the session: “Between Word and Image: Verbal-Visual Representations of Sixteenth- and Seventeenth-Century Spanish Royal Women,” which I … Continue reading
Posted in Contemplations, My Art
Benjamin Lee Whorf
Writes: “[…] for science, poetry, and love are alike in being “flights” above and away from the slave-world of literal reference and humdrum prosaic details, attempts to widen the petty narrowness of the personal self’s outlook, liftings toward Arūpa, toward … Continue reading
Posted in Contemplations
Wordimage in (is) Mythology
In her Reading “Rembrandt”: Beyond the Word-Image Opposition, Mieke Bal refers to Roland Barthes’s remark that “the very end of myth is to immobilize the world,” and to Philip Rahv’s observation that the persistence of romanticism and conservatism, manifested in … Continue reading
Posted in Contemplations
Visual Quoting II
In his essay “Shifters and Verbal Categories,” Roman Jakobson describes the complexity of “indexical symbols” – linguistic signs that, as symbols, represent their objects by convention and, as indices do, have existential relations with their objects, at the same time … Continue reading
Posted in Contemplations
Word and Image
Rarely do we see images without accompanying words, written or spoken. Images in books, newspapers, magazines, ads, television and the internet are often mediated by verbal language, that influences the way we see the images and think about them. In … Continue reading
Posted in Contemplations
Courtesans or Gentlewomen?
Associations between words and images in historiography are powerful. In the chapter “The Position of Women” in the 1958 Harper & Row edition of Jacob Burckhardt’s Civilization of the Renaissance in Italy (1860), we see the term “courtesans” in the … Continue reading
Posted in Contemplations, Dissertation
Photos from the Exhibition Infantile History
Infantile History is a group exhibition at the Department of History at York University, featuring children’s and childlike art to examine core questions faced by the discipline of history. It also explores art as an effective tool to delve into … Continue reading
Posted in Contemplations, My Art