Author Archives: noayaari

Explicit Multiform References

Multiform references (MFRs) are classified into three main types: explicit, implicit and indeterminate. Within a multiform argument (MFA), an explicit MFR announces its own juxtaposition of the verbal and visual components, usually through brackets in the main text, and at … Continue reading

Posted in Dissertation

Multiform References

The integration of the verbal and visual components of multiform arguments (MFAs) into a cohesive utterance is possible by juxtaposing and entangling the semantic and visual aspects of words and images. This is feasible since printed words and printed images … Continue reading

Posted in Uncategorized

Multiformity vs. Multimodality

The concept “multiformity” resonates with the concept “multimodality,” not only in the way it looks and sounds, but also the broad social and cultural contexts from which it develops and to which it is addressed. Both concepts allow us to … Continue reading

Posted in Dissertation, My Art

What are Multiform Arguments?

Multiform arguments (hereafter MFAs) are arguments that are composed of words and images. MFAs claim that a certain phenomenon has happened or explain the reasons for its occurrence. I became aware of MFAs while reading illustrated historiography, especially of cultural … Continue reading

Posted in Dissertation, My Art

History Sells

             Noa Yaari, History Sells (homage to Andy Worhol), 2015. A bookmark. 20.5 x 5 cm. Toronto

Posted in My Art

In the

Noa Yaari,  I Lose Control, 2018. Ink on paper. 21 x 27 cm. Toronto   Image source – Sandro Botticelli’s The Birth of Venus (1482-1485): https://en.wikipedia.org/wiki/The_Birth_of_Venus#/media/File:Venus_botticelli_detail.jpg

Posted in My Art

What Makes Visual Evidence “Evidence”?

Alfa Romeo 4C Spider In April’s post, I asked if – within the industry of creating and communicating historical knowledge – there is any epistemological significance to visual evidence that was photographed by the historian who writes about it. I … Continue reading

Posted in Contemplations

Historians Photograph their Visual Evidence

The visual material in illustrated historiography usually results from a chain of practices, most noticeable are the artistic creation, the photographing of the artwork, and the printing of that photograph in the book. This chain of practices is the industry … Continue reading

Posted in Contemplations, Dissertation

Renaissance Society of America – New Orleans, March 22-24, 2018

At the RSA 2018, I commented on three papers that art historians Dr. Jorge Sebastián Lozano, Dr. Víctor Mínguez Cornelles and Dr. Inmaculada Rodríguez Moya presented in the session: “Between Word and Image: Verbal-Visual Representations of Sixteenth- and Seventeenth-Century Spanish Royal Women,” which I … Continue reading

Posted in Contemplations, My Art

Drawing Childhood Memories on Money as a Teaching Tool

The following article was published in Innovatus, York University’s monthly pedagogical newsletter, on January 19, 2018. It describes an art exercise I gave in my tutorials. In the last tutorial of the fall term, students in the History course Making Money drew … Continue reading

Posted in My Art, Teaching