Author Archives: noayaari

Historians Photograph their Visual Evidence

The visual material in illustrated historiography usually results from a chain of practices, most noticeable are the artistic creation, the photographing of the artwork, and the printing of that photograph in the book. This chain of practices is the industry … Continue reading

Posted in Contemplations, Dissertation

Renaissance Society of America – New Orleans, March 22-24, 2018

At the RSA 2018, I commented on three papers that art historians Dr. Jorge Sebastián Lozano, Dr. Víctor Mínguez Cornelles and Dr. Inmaculada Rodríguez Moya presented in the session: “Between Word and Image: Verbal-Visual Representations of Sixteenth- and Seventeenth-Century Spanish Royal Women,” which I … Continue reading

Posted in Contemplations, My Art

Drawing Childhood Memories on Money as a Teaching Tool

The following article was published in Innovatus, York University’s monthly pedagogical newsletter, on January 19, 2018. It describes an art exercise I gave in my tutorials. In the last tutorial of the fall term, students in the History course Making Money drew … Continue reading

Posted in My Art, Teaching

Self Portrait, 2000-2018

Noa Yaari, Self Portrait, 2000-2018. Mixed media, Tel Aviv-Toronto

Posted in Dissertation, My Art

The Discovery of Discovery

In the discourse about the rise of pre-modern individualism or the discovery of the individual in pre-modern Europe (ca. 1000-1600), historians are inclined to argue that there was a period of time in which the interest in one’s own self … Continue reading

Posted in Uncategorized

Benjamin Lee Whorf

Writes: “[…] for science, poetry, and love are alike in being “flights” above and away from the slave-world of literal reference and humdrum prosaic details, attempts to widen the petty narrowness of the personal self’s outlook, liftings toward Arūpa, toward … Continue reading

Posted in Contemplations

You see,

Noa Yaari, History’s on my Side,  2015

Posted in My Art

Wordimage in (is) Mythology

In her Reading “Rembrandt”: Beyond the Word-Image Opposition, Mieke Bal refers to Roland Barthes’s remark that “the very end of myth is to immobilize the world,” and to Philip Rahv’s observation that the persistence of romanticism and conservatism, manifested in … Continue reading

Posted in Contemplations

Visual Quoting II

In his essay “Shifters and Verbal Categories,” Roman Jakobson describes the complexity of “indexical symbols” – linguistic signs that, as symbols, represent their objects by convention and, as indices do, have existential relations with their objects, at the same time … Continue reading

Posted in Contemplations

Word and Image

Rarely do we see images without accompanying words, written or spoken. Images in books, newspapers, magazines, ads, television and the internet are often mediated by verbal language, that influences the way we see the images and think about them. In … Continue reading

Posted in Contemplations