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Author Archives: noayaari
Into My Arms: A Blogpost in Progress
Noa Yaari, Into My Arms I, 2019. Ink on Paper, 17.7×25.4 cm. Toronto. Noa Yaari, Into My Arms II, 2019. Ink on Paper, 17.7×25.4 cm. Toronto.
Posted in My Art
Multiform Grammar
Noa Yaari, Multiform Grammar is Making Us Rich, 2019. Mixed media, 17.7×25.4 cm. Toronto.
Posted in My Art
Multiform Grammar and the Working Memory
In 1974, psychologists Alan Baddeley and Graham Hitch offered a model of the working memory, which was revised by Baddeley in 2000. According to the 1974 model, the working memory is a system that enables temporary storage and manipulation of … Continue reading
Posted in Contemplations, My Art
Pulling and Pushing Forces in Multiform References
Explicit, implicit and indeterminate multiform references (MFRs) maintain pulling and pushing forces between their verbal and visual poles. These forces are the mechanisms that potentially move readers to shift their attention between words and images across a multiform argument (MFA) … Continue reading
Posted in Contemplations, Dissertation, Teaching
Indeterminate Multiform References
Indeterminate multiform References (MFRs) begon with terms whose semantic relatedness with terms in the caption or the image is vague and challenging to classify; it is neither a clear semantic similarity, meronym-holonym or any other relatedness; however, indeterminate MFRs seem … Continue reading
Posted in Dissertation, Teaching
Implicit Multiform References
Implicit multiform references (MFRs) generate shifts of attention through semantic relatedness between the MFA’s verbal and visual components and their visual features without announcing their operation. For example, the presence of both the word “cat” and an image of a … Continue reading
Posted in Contemplations, Dissertation, My Art
Explicit Multiform References
Multiform references (MFRs) are classified into three main types: explicit, implicit and indeterminate. Within a multiform argument (MFA), an explicit MFR announces its own juxtaposition of the verbal and visual components, usually through brackets in the main text, and at … Continue reading
Posted in Dissertation
Multiform References
The integration of the verbal and visual components of multiform arguments (MFAs) into a cohesive utterance is possible by juxtaposing and entangling the semantic and visual aspects of words and images. This is feasible since printed words and printed images … Continue reading
Posted in Uncategorized
