In 1974, psychologists Alan Baddeley and Graham Hitch offered a model of the working memory, which was revised by Baddeley in 2000. According to the 1974 model, the working memory is a system that enables temporary storage and manipulation of information for complex tasks. These could include language acquisition, reading, learning, reasoning, and comprehension (BaddeleyContinue reading “Multiform Grammar and the Working Memory”
Category Archives: My Art
Implicit Multiform References
Implicit multiform references (MFRs) generate shifts of attention through semantic relatedness between the MFA’s verbal and visual components and their visual features without announcing their operation. For example, the presence of both the word “cat” and an image of a “cat” on the same page establishes a point or moment within the consumption of theContinue reading “Implicit Multiform References”
Multiformity vs. Multimodality
The concept “multiformity” resonates with the concept “multimodality,” not only in the way it looks and sounds, but also the broad social and cultural contexts from which it develops and to which it is addressed. Both concepts allow us to explore forms of communication that mix what we apprehend as distinct channels of transmitting information:Continue reading “Multiformity vs. Multimodality”
What are Multiform Arguments?
Multiform arguments (hereafter MFAs) are arguments that are composed of words and images. MFAs claim that a certain phenomenon has happened or explain the reasons for its occurrence. I became aware of MFAs while reading illustrated historiography, especially of cultural history. I noticed that when I wanted to point out how cultural historians use visualContinue reading “What are Multiform Arguments?”
History Sells
Noa Yaari, History Sells (homage to Andy Worhol), 2015. A bookmark. 20.5 x 5 cm. Toronto
In the
Noa Yaari, I Lose Control, 2018. Ink on paper. 21 x 27 cm. Toronto Image source – Sandro Botticelli’s The Birth of Venus (1482-1485): https://en.wikipedia.org/wiki/The_Birth_of_Venus#/media/File:Venus_botticelli_detail.jpg
Renaissance Society of America – New Orleans, March 22-24, 2018
At the RSA 2018, I commented on three papers that art historians Dr. Jorge Sebastián Lozano, Dr. Víctor Mínguez Cornelles and Dr. Inmaculada Rodríguez Moya presented in the session: “Between Word and Image: Verbal-Visual Representations of Sixteenth- and Seventeenth-Century Spanish Royal Women,” which I organized, and Dr. Julie Campbell chaired. This is what I said: Over the last few weeks,Continue reading “Renaissance Society of America – New Orleans, March 22-24, 2018”
Drawing Childhood Memories on Money as a Teaching Tool
The following article was published in Innovatus, York University’s monthly pedagogical newsletter, on January 19, 2018. It describes an art exercise I gave in my tutorials. In the last tutorial of the fall term, students in the History course Making Money drew their early memories on money. This exercise, given by artist and Teaching Assistant Noa Yaari, buildsContinue reading “Drawing Childhood Memories on Money as a Teaching Tool”
Self Portrait, 2000-2018
Noa Yaari, Self Portrait, 2000-2018. Mixed media, Tel Aviv-Toronto
You see,
Noa Yaari, History’s on my Side, 2015