Archives
- October 2022 (1)
- September 2022 (1)
- August 2022 (1)
- June 2022 (1)
- May 2022 (1)
- April 2022 (1)
- March 2022 (1)
- February 2022 (1)
- January 2022 (1)
- December 2021 (1)
- November 2021 (1)
- October 2021 (1)
- September 2021 (1)
- August 2021 (1)
- July 2021 (1)
- June 2021 (1)
- May 2021 (1)
- April 2021 (1)
- March 2021 (1)
- February 2021 (1)
- January 2021 (1)
- December 2020 (1)
- November 2020 (1)
- October 2020 (1)
- September 2020 (1)
- August 2020 (1)
- July 2020 (1)
- June 2020 (1)
- May 2020 (1)
- April 2020 (1)
- March 2020 (1)
- February 2020 (1)
- January 2020 (1)
- December 2019 (1)
- November 2019 (1)
- October 2019 (1)
- September 2019 (1)
- August 2019 (1)
- July 2019 (1)
- June 2019 (1)
- May 2019 (1)
- April 2019 (1)
- March 2019 (1)
- January 2019 (1)
- December 2018 (1)
- November 2018 (1)
- October 2018 (1)
- September 2018 (1)
- August 2018 (1)
- July 2018 (1)
- June 2018 (1)
- May 2018 (1)
- April 2018 (1)
- March 2018 (1)
- February 2018 (1)
- January 2018 (1)
- December 2017 (1)
- November 2017 (1)
- October 2017 (1)
- September 2017 (1)
- August 2017 (1)
- July 2017 (1)
- June 2017 (1)
- May 2017 (1)
- April 2017 (1)
- January 2017 (1)
- December 2016 (1)
- November 2016 (1)
- October 2016 (1)
- September 2016 (1)
- July 2016 (2)
- June 2016 (1)
- May 2016 (3)
- April 2016 (3)
- March 2016 (3)
Category Archives: Dissertation
Pulling and Pushing Forces in Multiform References
Explicit, implicit and indeterminate multiform references (MFRs) maintain pulling and pushing forces between their verbal and visual poles. These forces are the mechanisms that potentially move readers to shift their attention between words and images across a multiform argument (MFA) … Continue reading
Posted in Contemplations, Dissertation, Teaching
Leave a comment
Indeterminate Multiform References
Indeterminate multiform References (MFRs) begon with terms whose semantic relatedness with terms in the caption or the image is vague and challenging to classify; it is neither a clear semantic similarity, meronym-holonym or any other relatedness; however, indeterminate MFRs seem … Continue reading
Posted in Dissertation, Teaching
Leave a comment
Implicit Multiform References
Implicit multiform references (MFRs) generate shifts of attention through semantic relatedness between the MFA’s verbal and visual components and their visual features without announcing their operation. For example, the presence of both the word “cat” and an image of a … Continue reading
Posted in Contemplations, Dissertation, My Art
Leave a comment
Explicit Multiform References
Multiform references (MFRs) are classified into three main types: explicit, implicit and indeterminate. Within a multiform argument (MFA), an explicit MFR announces its own juxtaposition of the verbal and visual components, usually through brackets in the main text, and at … Continue reading
Posted in Dissertation
Leave a comment
Multiformity vs. Multimodality
The concept “multiformity” resonates with the concept “multimodality,” not only in the way it looks and sounds, but also the broad social and cultural contexts from which it develops and to which it is addressed. Both concepts allow us to … Continue reading
Posted in Dissertation, My Art
Leave a comment
What are Multiform Arguments?
Multiform arguments (hereafter MFAs) are arguments that are composed of words and images. MFAs claim that a certain phenomenon has happened or explain the reasons for its occurrence. I became aware of MFAs while reading illustrated historiography, especially of cultural … Continue reading
Posted in Dissertation, My Art
Leave a comment
Historians Photograph their Visual Evidence
The visual material in illustrated historiography usually results from a chain of practices, most noticeable are the artistic creation, the photographing of the artwork, and the printing of that photograph in the book. This chain of practices is the industry … Continue reading
Posted in Contemplations, Dissertation
Leave a comment
Self Portrait, 2000-2018
Noa Yaari, Self Portrait, 2000-2018. Mixed media, Tel Aviv-Toronto
Posted in Dissertation, My Art
Leave a comment
Courtesans or Gentlewomen?
Associations between words and images in historiography are powerful. In the chapter “The Position of Women” in the 1958 Harper & Row edition of Jacob Burckhardt’s Civilization of the Renaissance in Italy (1860), we see the term “courtesans” in the … Continue reading
Posted in Contemplations, Dissertation
Leave a comment
Names of Artists in Captions
Names of artists in captions enable the readers to look at artists as individuals who collectively create a professional community. The overall thesis of the historical book brings specific artists into the study, in most cases, based on commonalities in … Continue reading
Posted in Contemplations, Dissertation
Leave a comment
Noa Yaari - The Multiform Grammar Lab 