Archives
- November 2018 (1)
- October 2018 (1)
- September 2018 (1)
- August 2018 (1)
- July 2018 (1)
- June 2018 (1)
- May 2018 (1)
- April 2018 (1)
- March 2018 (1)
- February 2018 (1)
- January 2018 (1)
- December 2017 (1)
- November 2017 (1)
- October 2017 (1)
- September 2017 (1)
- August 2017 (1)
- July 2017 (1)
- June 2017 (1)
- May 2017 (1)
- April 2017 (1)
- January 2017 (1)
- December 2016 (1)
- November 2016 (1)
- October 2016 (1)
- September 2016 (1)
- July 2016 (2)
- June 2016 (1)
- May 2016 (3)
- April 2016 (3)
- March 2016 (3)
Category Archives: Dissertation
Explicit Multiform References
Multiform references (MFRs) are classified into three main types: explicit, implicit and indeterminate. Within a multiform argument (MFA), an explicit MFR announces its own juxtaposition of the verbal and visual components, usually through brackets in the main text, and at … Continue reading
Posted in Dissertation
Multiformity vs. Multimodality
The concept “multiformity” resonates with the concept “multimodality,” not only in the way it looks and sounds, but also the broad social and cultural contexts from which it develops and to which it is addressed. Both concepts allow us to … Continue reading
Posted in Dissertation, My Art
What are Multiform Arguments?
Multiform arguments (hereafter MFAs) are arguments that are composed of words and images. MFAs claim that a certain phenomenon has happened or explain the reasons for its occurrence. I became aware of MFAs while reading illustrated historiography, especially of cultural … Continue reading
Posted in Dissertation, My Art
Historians Photograph their Visual Evidence
The visual material in illustrated historiography usually results from a chain of practices, most noticeable are the artistic creation, the photographing of the artwork, and the printing of that photograph in the book. This chain of practices is the industry … Continue reading
Posted in Contemplations, Dissertation
Self Portrait, 2000-2018
Noa Yaari, Self Portrait, 2000-2018. Mixed media, Tel Aviv-Toronto
Posted in Dissertation, My Art
Courtesans or Gentlewomen?
Associations between words and images in historiography are powerful. In the chapter “The Position of Women” in the 1958 Harper & Row edition of Jacob Burckhardt’s Civilization of the Renaissance in Italy (1860), we see the term “courtesans” in the … Continue reading
Posted in Contemplations, Dissertation
Names of Artists in Captions
Names of artists in captions enable the readers to look at artists as individuals who collectively create a professional community. The overall thesis of the historical book brings specific artists into the study, in most cases, based on commonalities in … Continue reading
Posted in Contemplations, Dissertation
Indexation of Artists and Artworks
Indexation, like the list of illustrations, is a method that directs readers to artists, artworks and other related terms in the book; it makes them searchable, accessible and consequently more available for further study and discussion. When entries in the … Continue reading
Posted in Contemplations, Dissertation
Artistic Technique in Image Captions
Identification of the artistic technique in captions reveals the main materials from which the artist has created their work, and, to a certain extent, the operations involved in it. Different materials and measurements of artworks require varied modes of working, … Continue reading
Posted in Contemplations, Dissertation
Dates and Places in the List of Illustrations
When the list of illustrations informs about the times in which the artworks were produced, and their location at the time of conducting the research or publishing the book, the readers can gain a perspective on the sources’ temporal and … Continue reading
Posted in Dissertation, My Art
